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JASON ISBELL

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8 p.m. Tuesday, the Pabst Theater, 144 E. Wells St. $35.50 at the box office, the Riverside Theater box appointment (116 W. Wisconsin Ave.), (414) 286-3663 and pabsttheater.org.m

Three canicule afore he was appointed to comedy in Milwaukee, Scott Weiland died from a biologic overdose. There accept been too abounding belief of artists whose lives and talents accept been swallowed by addiction.

That hasn’t been the case for Jason Isbell, but it could accept been.

First accepting apprehension as a guitarist, diva and songwriter for the accomplished alt-country bandage Drive-By Truckers, Isbell affiliated the band’s bassist Shonna Tucker — but his abundant bubbler amount him his job and marriage. His abandoned career floundered.

In 2012, his then-girlfriend (now wife) Amanda Shires, his manager, and singer-songwriter Ryan Adams staged an intervention. He emerged from adjust stronger than ever, advancing to agreement with his mistakes and award accretion in the 2013 anthology “Southeastern.”

From “Super 8,” the aphotic rocker area Isbell proclaims he doesn’t appetite to die in his auberge room, to the breakable “Cover Me Up,” area he assuredly finds abatement (“Home was a dream/One I’d never seen/Until you came along”), “Southeastern” becoming accepted acclaim.

While it was done at a cardinal point in his life, he’s still in the prime of his abilities. Aftereffect “Something Added Than Free” was the 10th-best advised anthology of 2015, according to analysis aggregator Metacritic. And “Free” additionally won a Grammy for Best Americana Anthology Monday, while its advance single, “24 Frames,” won for Best American Roots Song.

Husband and wife Americana duo Shovels & Rope will open.

— Piet Levy, [email protected]

CHEVY METAL

Friday, BMO Harris Bradley Center, 1001 N. 4th St. Concert follows 7 p.m. Milwaukee Bucks, with a abbreviate achievement at halftime. Chargeless with bold ticket; $13 to $177 at the box office, (800) 745-3000 and ticketmaster.com.

Someone forgot to acquaint the Bucks’ aptitude booker that Chevy Metal is a self-proclaimed “’70s clay bedrock awning band.” Not absolutely a bang douse fit for an ’80s-themed night, although Chevy Metal does mix in some ’80s bedrock songs.

What’s so appropriate about this awning band? No added awning bandage in boondocks actualization Foo Fighters’ Taylor Hawkins, absolutely one of the fiercest drummers in bedrock today.

Then there’s the actuality that, from time to time, a abruptness appropriate bedfellow ability comedy a Chevy Metal show. It absolutely happened for the band’s aftermost gig in Milwaukee in 2013, during the Harley-Davidson 110th Anniversary celebration. None added than Dave Grohl, Foo Fighters’ superstar frontman and above bagman for Nirvana, took the date (with Joan Jett watching from the sidelines), ripping through covers of the Rolling Stones’ “Miss You” and Van Halen’s “Panama.” The crowd, naturally, went nuts.

Here’s acquisitive Grohl is chargeless on Friday night and bottomward to analysis out a Bucks game. Even if he’s not, Hawkins, guitarist Mick Murphy and bassist and diva Willy Hodgen put on a blood-tingling actualization on their own.

—Piet Levy

EL TEN ELEVEN

8 p.m. Friday, Shank Hall, 1434 N. Farwell Ave. $15 at the box office, (866) 468-3401 and ticketweb.com.

To set up a bandage with alone two players is to apriorism abounding beliefs, from an affirmation that bedrock ‘n’ cycle is at its best with near-monkish minimalism (as the White Stripes and Black Keys accept implied) to an acceptance that technology can cede added players moot.

El Ten Eleven is afterpiece to that closing acknowledgment, although bassist and guitarist Kristian Dunn and bagman Tim Fogarty adopt technology that can be acclimated in the moment and alive onstage, such as furnishings pedals and looping stations, over prerecorded advance or overdubs.

The Los Angeles-based post-rock duo has maintained adroitness from its homonymous aboriginal LP in 2005 to its latest, “Fast Forward,” from aftermost year. ETE’s music has remained playfully artsy, as if ETE believes that art and fun are not mutually exclusive.

Chicago-area ambient-soul ambassador and aerialist Shallou will open.

—Jon M. Gilbertson,

Special to the Journal Sentinel

RACHEL PLATTEN

Saturday, BMO Harris Bradley Center.Concert follows 7 p.m. Milwaukee Admirals game. Chargeless with bold ticket, $18 to $20.50 at the box appointment and through Ticketmaster.

One of the few albums appear on the aboriginal Friday of 2016, which was additionally the aboriginal day of 2016, was “Wildfire,” the third flat feature from singer-songwriter Rachel Platten. That timing is not the likeliest acumen “Wildfire” charted aural the Top Ten.

“Fight Song,” Platten’s hit song from aftermost year, was a likelier reason. “Fight Song” additionally charted aural the Top Ten in several countries, was heard abaft a promo bivouac for the then-upcoming TV alternation “Supergirl” and had pop-uplift attributes in accepted with Katy Perry’s “Roar” and Kelly Clarkson’s “Stronger (What Doesn’t Kill You).”

Yet Platten isn’t a brusque success: her admission album, “Trust in Me,” came out in 2003 and she has toured with Christina Perri, Colbie Caillat and Andy Grammer (who appears on “Wildfire”). A aftereffect single, “Stand by You,” is accomplishing well, so sports admirers ability be accepting a arrangement Saturday.

—Jon M. Gilbertson

BULLET FOR MY VALENTINE

8 p.m. Saturday, the Rave, 2401 W. Wisconsin Ave. $30 to $144 at the box office, (414) 342-7283 and therave.com.

Devoted admirers of bedrock subgenres, abnormally jailbait and metal, are as absorbed to nostalgia, animadversion and negativity as any Trekkie assertive that J.J. Abrams was absorbed on accident the “Star Trek” authorization afore “Star Wars” absorbed him away. Bullet for My Valentine has lasted added than a decade and deflected best complaints.

Actually, BfMV has lasted longer, accepting formed in Wales as Jeff Killed John in 1998 and arena Metallica and Nirvana covers afore developing aboriginal heavy-metal material. An brusque affiliate abandonment encouraged a new bandage name and, by 2005, a aboriginal long-player, “The Poison.”

For the admirers who adopt address to instinct, BfMV’s fourth long-player, 2013’s “Temper Temper,” wasn’t absolutely a betrayal, but it wasn’t their favorite. Aftermost year’s “Venom” was a affectionate of affirmation that the bandage could still amalgamate old and new schools of metal to amuse the self-appointed caretakers of bedrock noise.

English metalcore bands Asking Alexandria and While She Sleeps are additionally on the bill.

— Jon M. Gilbertson

LOS LOBOS

1 p.m. Saturday, Uihlein Hall, Marcus Center for the Assuming Arts, 929 N. Water St. $25.50 to $55.50 at the box office, (800) 745-3000 and ticketmaster.com.

Each year, back the Bedrock and Cycle Hall of Fame announces its newest accumulation of inductees, one of the bands commonly mentioned for actuality disregarded is Los Lobos.

But for four decades now — with the aforementioned calendar no beneath — the band’s been consistently admired and agilely aggressive in its diversity. While Latin bedrock is the best accepted association, Los Lobos has explored Spanish genres like cumbia and boleros, Tex-Mex, country, folk, R&B, soul, dejection and more.

It’s done aggregate from autograph and assuming the account for the 2005 shoot-’em-up “Desperado” with Antonio Banderas (work that netted the accumulation a Grammy); to alluring artists like Tom Waits, Elvis Costello and Mavis Staples for its 2004 anthology “The Ride;” to absolution an anthology accoutrement songs bound for Disney movies.

Its actualization Saturday at the Marcus is for an accident dubbed “Fiesta Mexicano Americana: A Anniversary of Mexican-American Heritage.” Additionally actualization is the Ballet Folklorico Mexicano.

— Piet Levy

LIZZO

8 p.m. Saturday, Turner Hall Ballroom, 1040 N. 4th St. $15 at the aperture and through the Pabst.

“Who wants some cookies?,” Lizzo blithely asked during her Riverside Theater set a year ago, afore ablution into her clue “Batches & Cookies.” And the rapper and accompanist from Minneapolis did action some chargeless broiled appurtenances to association in the front, but no bribery was necessary. This was already one of those attenuate aperture sets you could never forget.

That gig was as the aperture act for acclaimed changeable bedrock leash Sleater-Kinney’s aboriginal Milwaukee actualization in 15 years, on the heels of what would become one of the best gushingly accepted albums of 2015. Yet, a larger-than-life Lizzo threatened to adumbrate the heavily absorbed headliner.

In the months since, she delivered addition brilliant about-face at Justin Vernon’s Eaux Claires festival, and alternate to Milwaukee to accessible for acclaimed Minneapolis hip-hop aggregation Doomtree at Turner on Halloween.

In December came her anthology “Big Grrrl Small World,” beginning with the aforementioned communicable bluster on affectation at her alive shows, and alarming self-esteem booster “My Skin” to boot. Needless to say, she’s added than accessible to headline.

DJ Sophia Eris will open, with her own appropriate bedfellow Cavanaugh.

— Piet Levy

RAMSEY LEWIS QUARTET

8 p.m. Thursday, Northern Lights Theater, Potawatomi Auberge & Casino, 1721 W. Canal St. $45 to $55 at the box appointment and through Ticketmaster.

Sixty years ago, Ramsey Lewis appear his aboriginal two albums, “Ramsey Lewis and His Gentle-men of Swing” and “Ramsey Lewis and His Gentle-men of Jazz.” He’s back become a “Gentle-man” of alarm and pop as able-bodied as of applesauce and swing, all while mostly sitting abaft the 88 keys.

Born in Chicago in 1935, Lewis was in a candied time and abode to absorb the bond of genres into his own playing, which helped him cleft a hit with a awning of Dobie Gray’s “The ‘In’ Crowd,” and an LP by the aforementioned name, in 1965. By the 1970s, he was aggravating out the funkier complete of the electric piano.

Over the decades, Lewis has formed with Nancy Wilson, Dave Koz, London’s Philharmonia Orchestra, and Earth, Wind & Fire. He’s additionally been a radio and TV host in the account of applesauce and, at the age of 80, has eased artlessly into the role of actuality an elder, and active, statesman.

— Jon M. Gilbertson

LOCAL SHOW SPOTLIGHT

“The Mixtape Show: J Dilla Edition: 9 p.m. Friday, the Upper Level at BBC, 2022 E. North Ave. $5. Local artists account the lateproducer J Dilla to accession money for the Lupus Foundation of America.—Piet Levy

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