:3lON, ‘Prometheus’It’s all too accepted for an artisan to acknowledge they’re on some added bits with the best basal of boasts, but the interstellar :3lON titles his EP “Ronin” (a ronin is a samurai afterwards a master) and finds a subtler way to say that he isn’t bound to anyone. On highlight ‘Prometheus,’ :3lON—who recalls Otis Redding, Mr. Hudson, and Mima from “Perfect Blue” all at once—steers pounding-the-stage, amphitheatre body beeline into a melting ‘Moments In Love’-esque exhausted like Idris Elba council his spaceship into the age-old aliens at the end of the Ridley Scott’s “Alien” prequel with which this clue shares its name.
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Abdu Ali, ‘Did Dat’Some massive post-Blaqstarr club put calm by Mighty Mark that should accord some of you ’90s babies Paradox adolescent affair flashbacks, with an Abdu Ali twist—as the rapper/poet/singer/CP contributor boasts of acquisition (what absolutely is unclear, added acceptable whatever you got), bashed soul-jazz horns coast through the track. Again Ali starts scatting like Billie Holiday accoutrement George Kranz’s ‘Din Da Da’ at a faddy brawl in 1986. On Ali’s latest and best fully-realized absolution “Mongo,” this clue is sandwiched amid scraped-out electro that samples Miriam Makeba (‘How?’) and a aerial appeal for adventurous calmness for the Tinder bearing (‘Boy Bye’).
G Baby feat. Ziya and Young Moose, ‘Devil Be Afterwards Me’Like Young Moose but added uncouth, G Baby constructs a poppy agony clue that’s plainspoken in how it accesses affliction (“poverty accomplish you exhausted a ratchet in your face”), while standout bedfellow Ziya adds some aphotic amusement (“And these niggas they gettin’ goofy, affected Muslim I booty his Kufi”) and Moose himself, added abject than usual, raps a agonizing agent adventure of why he aloof doesn’t accord a fuck: “My granny got attempt in the eye in ’05/ Ever aback again [murder] what I absolutely had on my mind.” Check out the video area Moose and pals puckishly rap in advanced of Mitchell Courthouse.
Hystermajesty, ‘Two Feet’A decrepit carol with the stirrings of say aggregate from the #softgrunge of Candlebox to the abandoned proto-soul of Karen Dalton with lots of easygoing confessional Cat Power capacity too. Opague anapestic scenes blame aggregate and nothing—watching a car blast on Calvert St., a bird trapped amid the awning and window in your apartment—add up to a David Lynchian faculty of the surreal-melancholy. The final ballad injects some belted animation aces of Tracy Chapman’s ‘Fast Car’: “And in some moments, it feels like I fabricated it/ Like I fabricated a activity like one I consistently wanted/ With these people, these bodies I needed.”
Imaginary Hockey League, ‘Six Feet Under Frost’This eight and half-minute adventure by auto jailbait Chaz Monroe and aggregation begins as a affectionate of mock-black metal song in the attitude of, say, Impaled Northern Moonforest or the Soft Pink Truth (who covered INM) and again moves into painfully, effectively aboveboard territory—with fusion-minded explorations of emo, pop-punk, dance-punk, post-rock, babel pop, post-hardcore, and more. Moreover, it is adventurous to get noodly and ballsy and alike has a clap-along afore biconcave into a blurred Fugazi break and again abiding to bedrock with galloping triumph. So abundant is accident actuality and all of it is actual good. Appropriately binary-blurring.
Post Pink, ‘Night Beat’Ok so it absolutely makes faculty that Post Pink’s new EP, “I Believe You, OK”—featuring ‘Night Beat,’ a apart appearance account and amiable accent poem, forth with seven added bold, airy tracks—comes out on cassette via Sister Polygon Records, the D.C.-based characterization run by Priests, apparently the best guitar music bandage about appropriate now. See, a few years ago, Priests mined a similar, vaguely proggy sing-along appearance to Post Pink, but now Priests complete about arena-sized in their ambitions, so leave it to Post Pink’s amethyst book adaptation of surf-punk to accumulate about math-y, closed anthems animate while Priests go get big and glammy.
Queen Wolf, ‘We Don’t Grow Up’This clue stoopidly chugs forth like Fu Manchu or, to booty it way back, Grand Alarm Railroad—this is a acceptable thing, it’s authentic Homer Simpson rawk—but bare the amateur meandering of those bands and the many, many, abounding aloof like them. Echoes of Acid King, really. The accomplished thing’s over and out in beneath than two and a bisected account and stoked by Sarah Gretchen’s allegorical vocals. And is that a cowbell I apprehend for a moment? From “The Moon,” the additional in a alternation of seven-inch abstracts appear by Girl Problem Records and additionally featuring advance from Natural Velvet, Beachmover, and Moist.
Terrell Brown, ‘Never Stressing’DIY soulbrah Terrell Brown sings, hums, and mumbles about aggressive (“Never stressing, my acquaint accept angry to blessings, I’m alive, I’m high, and they still ain’t bolt me”) over a bad-natured exhausted from Schwarz that recalls G-Funk at its best broiled and unforgiving, Bone Thugs-n-Harmony at its best “Mortal Kombat”-iest, GZA’s “Liquid Swords” at its best synoptic, Fetty Wap at his best diffuse, and Durutti Column at its best doleful. Uncharted apathetic jams breath dainty active air. Aback this single, Brown has alone a analogously lugubrious full-length, “To Whom This May Concern,” additionally out on Nina Pop.
Trap Jxhn, ‘Errythang’Unabashedly in the abridged of what’s air-conditioned appropriate now, Trap Jxhn’s ‘Errythang’ keeps it affective with personality and an ear for the weird, and annihilation more. Gucci Mane-ian adaptable debris allocution (“I can’t see these niggas I’m activity blind/ I’m alarming up like a acreage mine/ And now your allegation anticipate I’m so abuse fine…Squeezing that ass she say it’s mine/ She cogent me appear put it in her spine/ But I don’t pay that allegation no abuse mind/ I’d rather the money absorb my time”) convenes with ambiguous assembly from beatmaker Chris Romero, who has angled and broiled a articulate sample and whirled it about fibrous barrier Rick Rubin-esque drums.
Vicunyah, ‘Hurricanrana’The hurricanrana is a able angry move that entails jumping up and avaricious an adversary by the close and face with your legs and flipping them over assimilate the mat (it is called afterwards its inventor, Mexican luchador Huracán Ramírez); angry at its best absolutely spectacle-grabbing for sure. Antonio Hernandez, who DJs as Vicunyah (and with this clue accomplish his assembly debut), called his baffling DJ apparatus of a track, powered by a admixture of bounded styles (among them, Bmore club, alarm carioca, and kuduro) and asperous breakbeat-friendly sounds afterwards the high-flying move, and already it gets activity it analogously grabs you, takes control, and won’t let go.
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