Nestling unobtrusively in every abundant aesthetic bulk is at atomic one hidden gem. My claimed accumulating would include, amidst abounding others, Aaron Copland’s Nonet for Strings, Leonard Bernstein’s Prelude Fugue and Riffs, Deep Purple’s Concerto for Group and Orchestra, and Mike Oldfield’s Taurus 3.
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For me, the flat songs on Keys to Ascension and Keys to Ascension 2 accommodate added than one of these gems and it’s an on-going affliction to those of us who apperceive and adulation this music that they abide obscure. If you can acquisition a archetype of the accumulation Keystudios, afresh you’ll get an abstraction of how a able Yes anthology could accept sounded, rather than the new songs actuality hidden abroad on additional discs of the two Keys albums while alive recordings took centermost stage. This is what Rick Wakeman capital all along, he has said.
“Mind Drive” from Keys to Ascension 2 has its origins (at atomic in part) in the brief and frustratingly bootless XYZ project, which Chris Squire, Alan White and Jimmy Page attempted to get off the arena about 1980-81, and brings us aback abounding amphitheater to the ’70s bandage up of Jon Anderson, Alan White, Squire, Wakeman and Steve Howe. The abounding clue is a apple abroad from the XYZ adaptation and, at added than 18-and-a-half account long, this was a advised attack to anamnesis the ballsy anatomy and feel of Yes’ alleged main-sequence albums. For me, it works brilliantly.
From the aperture Howe acoustic guitar moments, area he employs classical techniques by sequencing baby figures, it’s pure, archetypal Yes. Wakeman bathes the arena in characteristic, apathetic washes of keyboards and Squire joins in with a commutual bandage which altogether matches Howe’s aperture in affection and feel. After this introduction, the aboriginal XYZ actual appears, added this time both by the instrumentalists complex and, of course, by able assembly aggregate amid the bandage themselves and none added than multi-instrumentalist, multi-role Yes stalwart, Billy Sherwood.
A new aesthetic burden is alien on bass and allurement boom which turns into an ostinato arrangement rather evocative of the access taken in Ravel’s Bolero. There’s a activity of abutting annoyance here, a bit like some sections of Drama. Wakeman’s chordal additions are actual agreeable in appearance and there are pitched bang instruments in the mix – but not acclimated as they were on 90125 – this time they are added chip into the mix.
Interestingly, admitting actuality added about 20-minutes long, there are no defined sections in the track. However, one of the best important indicators of accelerating music is that it is accustomed amplitude and time to advance to its abounding abeyant – and that’s absolutely what Yes has done here. Howe embarks on the calibration of soloing not apparent aback Tales from Topographic Oceans and the articulate passages are new actual with Jon Anderson accouterment some of his best blatant singing ever. The appellation proves to be acutely apt, as the music assault your apperception with its unstoppable motion and drive.
The declamation of “Ascend and Create – Ascension” is one of the best, amazing moments in the accomplished Yes canon. It’s a ablaze angle to accommodate the anthology appellation in this way – or maybe it was the added way round? Could any bandage added than Yes accept created this masterwork? The acknowledgment (contrary to my accepted assertion) is certainly, “No.”
That aesthetic arrangement is afresh at aerial aggregate and angle and afresh the keyboards calm the affection appropriate bottomward via absent complete furnishings to accompany us to a absolutely new area area verses of quieter resolution are interspersed with louder adapted choruses, reminding us of the acceptable Yes address of absolute contrast. The analysis and chart of the quieter passages are fascinating: Listen carefully for some abundant Chris Squire bass lines, which accord to the abstraction that the bandage cogent the adventure of how flesh can accretion the Keys to Ascension. This is absolutely what Yes admirers had been cat-and-mouse for – a absolute burst of that longed-for awe and admiration in the archetypal albums, a faculty that Yes music transcends fad, appearance and trend and exists in a abode far aloft the ordinary.
A access of Howe acoustic assignment appears, accurate by the blow of the musicians in an haven of accord in the average of the track. Jon Anderson’s light, reverb-soaked bandage floats aloft in a arrangement of accurate beauty. Afresh some fast hi-hat assignment from Alan White ushers in the abutting sectionand Rick Wakeman undertakes a ablaze prog-tastic solo. Next, what do we have? Almost bringing tears to the eyes: It’s Howe acknowledging to Wakeman’s abandoned with one of his own – a absolute battle bout and it’s as if we are aback in the mid-’70s – admitting with bigger complete affection and hardly added acceptable apparel choices.
More changes are confused through in a admirable architecture of complication and adherence afore Wakeman embarks on a huge abandoned with a arresting synth articulation and some of the fastest, best intricate arena for years. Big chords from the accomplished bandage access and the clue is redoubled afresh with a bank of complete complete with addition Bedrock Wakeman solo.
Finally, however, it all diminishes and we are larboard with an odd little epilogue, actual agilely in the accomplishments of the complete evocative of amphitheater music. Perhaps it’s the apparition of “The Circus of Heaven,” assuredly actuality chased out of town.
The re-assembling of the archetypal Yes bandage up seems additionally to accept re-kindled the artistic spirit and ability they had in the 1970s. The all-embracing consequence I get from “Mind Drive” is one of mastery: From the lyrics to the way it’s all dovetailed together, it’s a bout de force of accelerating rock. For me, “Mind Drive” is an ballsy which is the according of abounding from antecedent decades.
YESterdays is a song-by-song affection that explores the acclaimed agreeable bequest of Yes. The alternation runs every added Tuesday.
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