A accord beneath the 20th Century Fox TV banderole is oiling the auto for a souped-up new amphitheater company, in an abnormal alliance that could become a new archetypal for producing live affected ball in a array of venues.
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Playwright and TV writer-producer Rolin Jones (“Weeds,” “Friday Night Lights,” “Boardwalk Empire”) active a two-year alliance in January with 20th TV to advance projects for arrangement and cable beneath the bank New Neighborhood.
But in a abandonment for Hollywood deals, Jones’ accumulation will additionally actualize amphitheater projects with a basic aggregation of artists from beyond the country, coming calm in absolute activity at assorted sites as projects demand. The troupe will co-produce with absorbed bounded theaters, alms beginning product, talent, activity and some accessory dollars.
“It’s all about storytelling,” says Jones, pictured aloft larboard with adolescent New Neighborhood aggregation affiliate Jackson Gay. “We anticipate it a lot beneath like amphitheater aggregation and added like a bedrock indie label.”
Its best high-profile activity is Jones’ “These Paper Bullets!,” a casual pop-music mash-up of Shakespeare’s “Much Ado About Nothing” set in accepted ’60s London. Billie Joe Armstrong, frontman for Green Day, supplied eight aboriginal pop tunes in the Beatles approach for the show, which premiered last year at Yale Repertory Amphitheater in New Haven. (Connections help: Jones is additionally penning the cine for the blur adaptation of Broadway’s “American Idiot,” now in its additional draft.)
The Yale Rep production was agilely received, acceptable top ceremoniousness from the Connecticut Critics Circle, and beneath the New Neighborhood banderole is now headed to L.A.’s Geffen Playhouse and Off Broadway’s Atlantic Amphitheater Aggregation this fall.
Also on tap is the July apple premiere of Suzanne Heathcote’s ball “I Saw My Neighbor on the Train and I Didn’t Even Smile” at the Berkshire Amphitheater Accumulation in Stockbridge, Mass., in a assembly directed by Gay. The administrator additionally staged “Bullets!” and is a key amount in the amphitheater company.
Music and architecture are above genitalia of the New Neighborhood’s edgy aesthetic. The artist and clear biographer Seth created the group’s burning-down-the-house logo; Ryan Kattner of the bandage accumulation Man Man and the “doom-wop” bandage Mister Heavenly is autograph the alive music for the Berkshire work, a camp adventurous ball starring Keira Naughton, addition central figure in the group. (With New Neighborhood, Naughton is additionally developing “The Petersons,” about a fabulous ancestors surrounding a abortive rock-pop bandage that will accomplish a affectionate of pop-up amphitheater in confined during the runs of some Neighborhood shows.)
Jones additionally said his offbeat, all-embracing and geographically widespread company will do added site-specific work, including a cantankerous country amphitheater allotment on Amtrak. Reflecting the just-for-fun spirit of the company, Jones says he wants it to own a chase horse and buy a bar in New Haven.
As the amphitheater arm of New Neighborhood launches this weekend with a affair at Louisville’s Humana Festival of New American Plays, Jones, 42, will now footfall aback and focus on the aboriginal appearance he is developing for Fox, “Dependable Dittmers, We Sell Cars,” aggressive by an adventure on NPR’s “This American Life.” Prior to New Neighborhood, Jones was absorbed to AMC, area he co-wrote and controlling produced the pilot “Knifeman” and was co-executive ambassador on “Low Winter Sun.”
Of the 33 New Neighborhood members, added than bisected are associated with Yale and the “These Paper Bullets!” production. Jones had a playwriting amount from the Yale School of Drama, and his “The Intelligent Architecture of Jenny Chow” was produced at Yale Rep in 2002. It went on to be a Pulitzer Prize finalist.
According to aggregation affiliate Jennifer Kiger, who is additionally the Rep’s accessory aesthetic administrator and administrator of new ball programs at Yale’s Binger Center for New Theater, the accumulation is beneath the budgetary advocacy of an awning not-for-profit alignment so it can fundraise tax-free dollars.
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