Ric Ocasek doesn’t accord abounding interviews. And aback he does, he’s generally reticent.
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But the acclaimed frontman of the Cars, the ‘70s and ‘80s synth-pop-art-rockers who stormed the archive with a accession of hits including “Shake It Up,” “My Best Friend’s Girl,” “You Might Think” and “Magic,” can additionally be anxious and forthcoming, abnormally aback talking about his added affection — art.
Ocasek will appointment Atlanta from 6-8 p.m. Saturday at Wentworth Arcade at Phipps Plaza, area his active assets and canvases with acrylics will be on affectation and for auction (the actualization is accessible to the public, but RSVPs are suggested via the arcade website).
Calling from New York Wednesday afternoon, the affable Ocasek, 69, talked abundantly with The Atlanta Journal-Constitution and Kaedy Kiely of 97.1 The River about his aesthetic process, the Cars’ behind consecration into the Rock and Roll Hall of Fame this year and why he (jokingly) considers himself “sort of like an anti-social extrovert.”
Ric Ocasek and The Cars were inducted into the Rock and Roll Hall of Fame in April 2018.
On the Cars’ long-expected consecration into the Rock and Roll Hall of Fame:
“I’m animated we did get inducted. It was affectionate of awe-inspiring because we hadn’t played in a acceptable while. (Cars drummer) David Robinson said, ‘I’ll accept to get the drums out of storage.’ We anticipation (getting the bandage aback together) was activity to be appealing hard, but we went to Cleveland a few canicule afore the (ceremony) and apposite and it was aloof like we played yesterday. The alone affair acutely missing was Ben (Orr, the band’s bassist and co-singer who died of pancreatic blight in 2000), which was actual strange. … Ben was actual sweet. … He aloof had the best admirable articulation and was a admirable person. … But it formed out appealing nice. It was absolutely a night.”
On the change of his art:
“I’ve been accomplishing it for a absolutely continued time. It’s one of those things you do but you never accompany out. I kept things for whatever acumen and never had the ambition of assuming it or accomplishing annihilation with it, really, except abrogation it in a pile. I didn’t appetite to bandy being abroad (either). That’s why it never absolutely came out until I did a few arcade shows in Manhattan (a brace of years ago) and some bodies saw that and Wentworth capital to appearance it in galleries and I thought, cool. … My admired has consistently been pop art. I never absolutely anticipation of myself as an artisan who draws. … It’s adamantine to me to draw annihilation that looks realistic. Aback I appear aloft article that looks realistic, I think, ‘That looks like a absolute drawing!’ I couldn’t absolutely draw a absolute being or a face.”
Ric Ocasek said he’s a fan of pop art.
On his aesthetic preferences:
“I do buy specific things to use, like these Japanese markers and funny kinds of pens that are adamantine to find. Sometimes brushes. But I like the Japanese (pens) because they accept a besom tip instead of adamantine tip, about like a paintbrush. Photographs are a huge allotment of things I do. I’ve been cutting photos back I was a kid — I acclimated to advance them as a kid. Then I absolutely got into Polaroids for abounding years. I accept to say, aback the Cars were on tour, I never absolutely took a camera with me. I anticipate I was too active to alike anticipate about it. I affliction not accomplishing that while on tour.”
On the access of Andy Warhol, who directed the Cars’ video for “Hello Again”:
“He was a appealing acceptable acquaintance of abundance at the time. He absolutely was a hands-on artist. Everything he anytime did, I liked. I admired his abstraction and aesthetics and how he approached art. We never absolutely talked art. Andy was affectionate of a quiet talker, but he had a lot to say. He talked about activity and bodies and gossip. But he kept the arts arena activity in New York City. If you saw Andy with an artisan at dinner, you knew they were activity to get recognized. He was array of a angel of the arts. And aback he died (there was no one to abide it).”
On interacting with bodies in a added affectionate ambience at the art galleries:
“It’s affectionate of odd in a way. I go to these galleries and accommodated bodies who are advancing … and it’s weird! It’s like Polaroids and craven fingers, that’s what we acclimated to alarm those backstage things. It’s nice to accommodated people, but you get put into a allowance to accommodated people. I’m array of like an anti-social extrovert. It’s adamantine to go in and be a smiley guy, but I’ll go advanced and do it (laughs).”
6-8 p.m. Saturday, Dec. 1 Wentworth Gallery, Phipps Plaza, 3500 Peachtree Road NE, Atlanta. Accessible to the public, but anxiety requested at wentworthgallery.com or 404-233-0903.
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