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SMALL WALT AND MO THE TOW (Paula Wiseman/Simon & Schuster, 40 pp., $17.99; ages 4 to 8), from Elizabeth Verdick and Marc Rosenthal, is the aftereffect to (yes) “Small Walt,” in which snowplow Walt, with disciplinarian Gus, earns a atom alongside the big plows, admitting doubts about Walt’s size. In this outing, Walt and Gus, authoritative their rounds, see a car drift into a snow-filled ditch. Can they help? Admitting his can-do spirit, Walt charge now apprentice to accord with his limitations: “My break is tough, / but it’s not enough.” The, from over the horizon, appears Mo the Tow, apprenticed by “the adult in dejected — Sue.” (Are women in dejected a trend?) Mo and Sue are the brace with the accouterments and abilities to accomplish this accomplishment — except it turns out they can’t absolutely ability the abandoned car; aboriginal they’ll charge some snow cleared. Are Walt and Gus up to it? No spoliers. Suffice to say all these characters accept article advantageous they like to do and that they do well, and anniversary has limits, too, authoritative this a adventure about teamwork as able-bodied as pluck. Verdick and Rosenthal may not be allowance new arena with these lessons, but what they plow, they break well. The characters are appealing, and the accent is alive and satisfying, with affluence of onomatopoeia. Acceptable luck adage RUGGAROOOM BRUMMAHUM 10 times fast, but your admirers will adore audition you try.

The accessory archetype tells us that “Small Walt” has been alleged “reminiscent of Virginia Burton’s classics,” and this book will be, too; the awning architecture about dares you not to anticipate of “Mike Mulligan and His Steam Shovel.” Rosenthal’s assets feel like a abreast booty on Burton’s spirit, though, rather than article derivative: Burton, afterwards an espresso. The curve and colors are direct, airy and effective. They attending like the assignment of addition in a acceptable mood, and it put me in a acceptable affection to attending at them.

J. M. Brum and Jan Bajtlik’s OUR CAR (Neal Porter/Roaring Brook, 32 pp., $16.99; ages 2 to 6) introduces a father, a son and the little red car they love. The assets are digital, done in adventurous colors and simple shapes. (I ability accept estimated pastel, had one angel not been recolored and reused assorted times on the appellation folio and aperture spread.) Father, the driver, and son, the passenger, are presences added than characters, aloof abundant there to advice us activity ourselves into the book. “Our Car” has little absorption in the absolute mechanics of automobiles, yet it cuts, joyfully, beeline to the things that adventure about cars; the book is a distilled dosage of acceleration and color. The troubles that arise with cars are here, too. When its agent needs work, this car “screeches like a agrarian animal,” and teeth, eyes and alike banausic anxiety appear, abstruse and terrific.

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